Posts tagged "metal"

Photo: hgmonster: Saw this last night. Wish I could recommend it, but I can’t, really. Films don’t have to have a message or a mission statement, but they should have a voice or a thrust, if you will – like they were made with intent. That’s not quite the case with UtLTU. It’s as if the filmmakers went to Norway, shot a bunch of footage, and cut it into something they felt resembled a movie. And because there was no voice, no guiding principle, no obvious intent, it felt as though, well, as though I were watching 2 hours of footage about black metal, and nothing more. I didn’t come away enlightened or even entertained. Some of my issues with the content of the film, in bulleted list fashion. Varg is a Nazi. Or a National Socialist. Or whatever the fuck he is this week. Although he’s on the screen for a good quarter of the film, this somehow never comes up. This conspicuous absence feels like apologism on the part of the filmmakers. Maybe it’s not, but they should have at least addressed this in some fashion. In my opinion. The only account of Euronymous’ mureder comes from Varg, so there’s no refutation of his version of the story. If you didn’t know anything else about the case, you might think Varg actually acted in self-defense. (He very probably didn’t.) Why the hell did they feature a third-rate graffiti artist in this film? Was it only to justify the inclusion of Frost’s tragicomic performance late in the film? Every time they cut to this guy (especially the pointless scene of him in the cab), it broke whatever grymmness they had worked so hard to establish. The music – the reason most of us were in the theater – barely warranted a mention. There was almost no discussion of the development of the music, and barely any black metal in the film (although the múm and Sunn(((o))) tracks were nice). Clearly this was a conscious choice on the part of the filmmakers, but why? Unless you are already a trve believer, you’d leave with no sense of how this music came about, or what impact it’s had. A lot of black metal dudes are idiots. This isn’t the fault of the filmmakers, of course, it’s just a fact. That’s all I got for now. From other reviews (that erred on the side of vague rather than spoiler-y), I gathered that to be what the film was like, and I’m glad I haven’t made the effort to see it.

hgmonster:

Saw this last night. Wish I could recommend it, but I can’t, really. Films don’t have to have a message or a mission statement, but they should have a voice or a thrust, if you will – like they were made with intent. That’s not quite the case with UtLTU. It’s as if the filmmakers went to Norway, shot a bunch of footage, and cut it into something they felt resembled a movie. And because there was no voice, no guiding principle, no obvious intent, it felt as though, well, as though I were watching 2 hours of footage about black metal, and nothing more. I didn’t come away enlightened or even entertained.
Some of my issues with the content of the film, in bulleted list fashion.

 Varg is a Nazi. Or a National Socialist. Or whatever the fuck he is this week. Although he’s on the screen for a good quarter of the film, this somehow never comes up. This conspicuous absence feels like apologism on the part of the filmmakers. Maybe it’s not, but they should have at least addressed this in some fashion. In my opinion.
The only account of Euronymous’ mureder comes from Varg, so there’s no refutation of his version of the story. If you didn’t know anything else about the case, you might think Varg actually acted in self-defense. (He very probably didn’t.)
Why the hell did they feature a third-rate graffiti artist in this film? Was it only to justify the inclusion of Frost’s tragicomic performance late in the film? Every time they cut to this guy (especially the pointless scene of him in the cab), it broke whatever grymmness they had worked so hard to establish.
The music – the reason most of us were in the theater – barely warranted a mention. There was almost no discussion of the development of the music, and barely any black metal in the film (although the múm and Sunn(((o))) tracks were nice). Clearly this was a conscious choice on the part of the filmmakers, but why? Unless you are already a trve believer, you’d leave with no sense of how this music came about, or what impact it’s had.
 A lot of black metal dudes are idiots. This isn’t the fault of the filmmakers, of course, it’s just a fact.

That’s all I got for now.

From other reviews (that erred on the side of vague rather than spoiler-y), I gathered that to be what the film was like, and I’m glad I haven’t made the effort to see it.

hgmonster:

Saw this last night. Wish I could recommend it, but I can’t, really. Films don’t have to have a message or a mission statement, but they should have a voice or a thrust, if you will – like they were made with intent. That’s not quite the case with UtLTU. It’s as if the filmmakers went to Norway, shot a bunch of footage, and cut it into something they felt resembled a movie. And because there was no voice, no guiding principle, no obvious intent, it felt as though, well, as though I were watching 2 hours of footage about black metal, and nothing more. I didn’t come away enlightened or even entertained.

Some of my issues with the content of the film, in bulleted list fashion.

  • Varg is a Nazi. Or a National Socialist. Or whatever the fuck he is this week. Although he’s on the screen for a good quarter of the film, this somehow never comes up. This conspicuous absence feels like apologism on the part of the filmmakers. Maybe it’s not, but they should have at least addressed this in some fashion. In my opinion.
  • The only account of Euronymous’ mureder comes from Varg, so there’s no refutation of his version of the story. If you didn’t know anything else about the case, you might think Varg actually acted in self-defense. (He very probably didn’t.)
  • Why the hell did they feature a third-rate graffiti artist in this film? Was it only to justify the inclusion of Frost’s tragicomic performance late in the film? Every time they cut to this guy (especially the pointless scene of him in the cab), it broke whatever grymmness they had worked so hard to establish.
  • The music – the reason most of us were in the theater – barely warranted a mention. There was almost no discussion of the development of the music, and barely any black metal in the film (although the múm and Sunn(((o))) tracks were nice). Clearly this was a conscious choice on the part of the filmmakers, but why? Unless you are already a trve believer, you’d leave with no sense of how this music came about, or what impact it’s had.
  • A lot of black metal dudes are idiots. This isn’t the fault of the filmmakers, of course, it’s just a fact.

That’s all I got for now.

From other reviews (that erred on the side of vague rather than spoiler-y), I gathered that to be what the film was like, and I’m glad I haven’t made the effort to see it.

High Resolution Version from HISTORY'S GREATEST MONSTER

Audio:

alex365:

Anvil- Mothra

Jamming some Anvil after watching Anvil: The Story of Anvil last night. This whole album sounds like if Metallica put Ted Nugent in charge of writing Kill ‘Em All.

from My 22nd Year: Project 365

Text: Fact: Tumblr Hates Metal

alex365:

LAME.

lies.  all lies.

then again, I stalk anyone who posts to the #metal tag.

from My 22nd Year: Project 365

Link:

Well said.  Of course, it’s on blabbermouth, so the comments are an embarassment for men.

Video:

arilevanah:

Orphaned Land’s newest song “Sapari”. I really like it. I hope their new album is just as good.

I’ve been enjoying their new album a lot.  Heather has referred to other songs on the album as “belly dance metal”.  Certainly it’s a good argument for subgenres like “folk metal” being labels rather than buckets, as Israeli folk (these guys) bears little in common with finnish Humppa folk (Finntroll, this week’s other obsession).

Also, I’m really excited about seeing Orphaned Land at the Wacken Showcase (WTF) at SXSW.

from Ari Levanah's Public blog

Photo: metalgoddesses: Audrey Hadorn (aka Audrey Sylvain, aka Sainte Audrey-Yolande de la Molteverge) - vocals, keyboards for Peste Noire, Les Discrets, Amesoeurs, Valfunde Peste Noire on Encyclopaedia Metallum Amesoeurs on Encyclopaedia Metallum (thanks again to fleetfootedfox)

metalgoddesses:

Audrey Hadorn (aka Audrey Sylvain, aka Sainte Audrey-Yolande de la Molteverge) - vocals, keyboards for Peste Noire, Les Discrets, Amesoeurs, Valfunde
Peste Noire on Encyclopaedia Metallum
Amesoeurs on Encyclopaedia Metallum
(thanks again to fleetfootedfox)

metalgoddesses:

Audrey Hadorn (aka Audrey Sylvain, aka Sainte Audrey-Yolande de la Molteverge) - vocals, keyboards for Peste Noire, Les Discrets, Amesoeurs, Valfunde

Peste Noire on Encyclopaedia Metallum

Amesoeurs on Encyclopaedia Metallum


(thanks again to fleetfootedfox)

High Resolution Version from Women In Metal

Video:

metalgoddesses:

Kylesa - ‘Hollow Severer’ from their 2006 release ‘Time Will Fuse Its Worth’

from Women In Metal

Photo: Wino and myself (via meddle echoes)

Wino and myself (via meddle echoes)

Wino and myself (via meddle echoes)

Photo: metalgoddesses: Amber Valentine, Guitar/Vocals, Jucifer Jucifer on Myspace Jucifer on Metal Archives (thanks fleetfootedfox) Seeing them again on thursday with A Storm of Light :D

metalgoddesses:

Amber Valentine, Guitar/Vocals, Jucifer
Jucifer on Myspace
Jucifer on Metal Archives
(thanks fleetfootedfox)

Seeing them again on thursday with A Storm of Light :D

metalgoddesses:

Amber Valentine, Guitar/Vocals, Jucifer

Jucifer on Myspace

Jucifer on Metal Archives


(thanks fleetfootedfox)

Seeing them again on thursday with A Storm of Light :D

High Resolution Version from Women In Metal

Link:

poisonoushoneysuckles:

metalgoddesses:

I am still learning the ways of Tumblr, so please forgive me for not doing this sooner but ALAS! Submissions for Women In Metal are now open!

If you know of any women who are in a metal band or are even in one yourself, send something in! :)

Any genres of metal are allowed. Death metal, glam metal, whatever metal. If it’s metal, it’s cool.

W00t!  When I am less swamped myself, I will swamp your queue.  Meantime perhaps my followers will beat me to the punch.

from Poisonous Honeysuckles