Beyond the first 3, it gets complicated. It gets into albums that are great, but not perfect. These first 3, are perfect. If you want to know more about them, follow my tags, I’ve posted plenty from each of them this year.
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Dredg - The Pariah, The Parrot, The Delusion
Going labelless allowed them to stretch out their progressive tendencies again. Simultaneously, this is their most accessible and pop-hook-driven album. -

Bat For Lashes - Two Suns
There’s a cacophony of internet bloggers who’ve probably already told you plenty about Natasha Khan’s wonderful music. -

Amesoeurs - Amesoeurs
French shoegazey post-punk black metal. I’m surprised it exists, too. Blending those influences was clearly such a feat that it tore the band apart just as they finished their first and only full-length. Not to worry, the many echoes of this project will continue in the members’ other projects (Alcest, Les Discrets, Peste Noire, Lantlos), but this melting pot is perfect, possibly moreso for not being muddled by followup albums.

