dainafischer:nostalgicdreams:honeysticks:(via suicidewatch)
Bat for Lashes
dainafischer:nostalgicdreams:honeysticks:(via suicidewatch)
Bat for Lashes
Beyond the first 3, it gets complicated. It gets into albums that are great, but not perfect. These first 3, are perfect. If you want to know more about them, follow my tags, I’ve posted plenty from each of them this year.



Bat For Lashes
“Sleep Alone”I’m not sure who directed this — it may have been Natasha Khan herself — but it’s a beautifully shot video, and I’d love to know who filmed it, etc. Without being overly literal, the clip interprets and complements the song’s balance of deep loneliness and unwavering faith by presenting sadness and lovelessness as a necessary first step on the path to self-discovery and adventure. Also, Natasha is astoundingly gorgeous in this thing.
Bat For Lashes
“Glass”
Live on KCRW 2009
Nice performance, though it’s not the most exciting thing to watch, given the location and the way it is shot. I do love the interview with Natasha Khan that follows — the questions are pretty basic, but it’s always a joy to listen to her speak. I especially enjoy when she talks about her childhood in a leafy British suburb.
I love interviews where the interviewer is really into it, and goes way off the beaten path with questions.
Bat For Lashes
“Sleep Alone”
This is by far my favorite video from 2009, and I do not say that just because Natasha Khan looks incredibly, amazingly, astonishingly beautiful in it. Without being overly literal, the clip interprets and complements the song’s balance of deep loneliness and unwavering faith by presenting sadness and lovelessness as a necessary first step on the path to self-discovery and adventure. “For every high, there must be a low, low, low, low.”
bsqv:
kat middleton gets back today and we start our countdown to THIS show.
several lines of bold italicized symbols, punctuation and capital letters would seem muted relative to my excitement.
Two weeks, minus a day.
Bat For Lashes
“Good Love”
Live in Brussels, 5/15/2009“Good Love” is a thoroughly exhausting song, the kind that drags you into its dark, lonely emotional space whether you want to be there or not. The arrangement, both funereal and ethereal in tone, has a gravitational pull that is seductive and difficult to escape, but the most affecting thing is Natasha Khan’s vocal performance, which moves between heavily accented spoken passages and sung parts that convey a frustrated, incredibly painful sort of yearning. The pain seems to be the point. As Khan intones early on, her character needs sorrow like a drug, and so when she goes on to ask “Will I ever find that place they call good love?,” your heart just breaks for her, because it’s so clear that a heart addicted to misery is unlikely to ever find that love. It’s tragic. Who would need it more? (originally posted 4/8/2009)
Bat for Lashes
“Siren Song”
Morning Becomes Eclectic 2009I can barely describe to you how much it totally tears my heart out when Natasha sings “My name is Pearl and I love you the best way I know how.” I don’t even fully understand it. It kills.
Oh. My. God. I can’t wait to see her at the Parish.