Photo: tiffany: Tomorrow all of this will be happening.  

tiffany: Tomorrow all of this will be happening.  

tiffany:

Tomorrow all of this will be happening.  

from On The Cutting Edge of Yesterday
fleetfootedfox 12 Mar Tags 45 Notes
Comments (View)

Link:

aurora swims in the ether: tomorrow will fucking blow my mind because

casabranka:

i am bussing it down to nyc to see fucking shrinebuilder and wolves in the throne room for a measly $5 

Girl, I drove to Cleveland when Pentagram played there in January. That’s just over 7 hours of driving (from Athens to Cleveland and back again) on a Thursday night, getting home at 4:30 in the morning, and then going to class to take a physics quiz over four and a half hours later at 9 and going through a full day of work and class.

However… I got into Peabody’s for free and stood practically front and center with Bobby within reach the entire show. I got to headbang and howl along to ‘All Your Sins’ and ‘Petrified’.

Trust me, if you love a band enough, it’s definitely worth it.

Hell yeah.  Did this for Burst/Gojira in Houston (only 6 hours round trip), before seeing Burst again (headlining) in Austin 2 days later.  Totally worth it.  I’m still trying to find a way in which flying to Chicago for Alcest is justifiable (it’s totally not)

from casabranka
fleetfootedfox 11 Mar Tags 4 Notes
Comments (View)

Photo: weetzie-bat: :D Still need to pick up my ticket for this.  stoked.

weetzie-bat: :D Still need to pick up my ticket for this.  stoked.

weetzie-bat:

:D

Still need to pick up my ticket for this.  stoked.

from I AM MADE /// FROM STONES AND ROOTS
fleetfootedfox 1 day ago Tags 2 Notes
Comments (View)

Video:

nonduality:

Yeasayer - O.N.E.

thank god for an embeddable version.

from Deconstructing Duality
fleetfootedfox 1 day ago Tags 3 Notes
Comments (View)

Photo: hgmonster: Saw this last night. Wish I could recommend it, but I can’t, really. Films don’t have to have a message or a mission statement, but they should have a voice or a thrust, if you will – like they were made with intent. That’s not quite the case with UtLTU. It’s as if the filmmakers went to Norway, shot a bunch of footage, and cut it into something they felt resembled a movie. And because there was no voice, no guiding principle, no obvious intent, it felt as though, well, as though I were watching 2 hours of footage about black metal, and nothing more. I didn’t come away enlightened or even entertained. Some of my issues with the content of the film, in bulleted list fashion. Varg is a Nazi. Or a National Socialist. Or whatever the fuck he is this week. Although he’s on the screen for a good quarter of the film, this somehow never comes up. This conspicuous absence feels like apologism on the part of the filmmakers. Maybe it’s not, but they should have at least addressed this in some fashion. In my opinion. The only account of Euronymous’ mureder comes from Varg, so there’s no refutation of his version of the story. If you didn’t know anything else about the case, you might think Varg actually acted in self-defense. (He very probably didn’t.) Why the hell did they feature a third-rate graffiti artist in this film? Was it only to justify the inclusion of Frost’s tragicomic performance late in the film? Every time they cut to this guy (especially the pointless scene of him in the cab), it broke whatever grymmness they had worked so hard to establish. The music – the reason most of us were in the theater – barely warranted a mention. There was almost no discussion of the development of the music, and barely any black metal in the film (although the múm and Sunn(((o))) tracks were nice). Clearly this was a conscious choice on the part of the filmmakers, but why? Unless you are already a trve believer, you’d leave with no sense of how this music came about, or what impact it’s had. A lot of black metal dudes are idiots. This isn’t the fault of the filmmakers, of course, it’s just a fact. That’s all I got for now. From other reviews (that erred on the side of vague rather than spoiler-y), I gathered that to be what the film was like, and I’m glad I haven’t made the effort to see it.

hgmonster: Saw this last night. Wish I could recommend it, but I can’t, really. Films don’t have to have a message or a mission statement, but they should have a voice or a thrust, if you will – like they were made with intent. That’s not quite the case with UtLTU. It’s as if the filmmakers went to Norway, shot a bunch of footage, and cut it into something they felt resembled a movie. And because there was no voice, no guiding principle, no obvious intent, it felt as though, well, as though I were watching 2 hours of footage about black metal, and nothing more. I didn’t come away enlightened or even entertained. Some of my issues with the content of the film, in bulleted list fashion. Varg is a Nazi. Or a National Socialist. Or whatever the fuck he is this week. Although he’s on the screen for a good quarter of the film, this somehow never comes up. This conspicuous absence feels like apologism on the part of the filmmakers. Maybe it’s not, but they should have at least addressed this in some fashion. In my opinion. The only account of Euronymous’ mureder comes from Varg, so there’s no refutation of his version of the story. If you didn’t know anything else about the case, you might think Varg actually acted in self-defense. (He very probably didn’t.) Why the hell did they feature a third-rate graffiti artist in this film? Was it only to justify the inclusion of Frost’s tragicomic performance late in the film? Every time they cut to this guy (especially the pointless scene of him in the cab), it broke whatever grymmness they had worked so hard to establish. The music – the reason most of us were in the theater – barely warranted a mention. There was almost no discussion of the development of the music, and barely any black metal in the film (although the múm and Sunn(((o))) tracks were nice). Clearly this was a conscious choice on the part of the filmmakers, but why? Unless you are already a trve believer, you’d leave with no sense of how this music came about, or what impact it’s had. A lot of black metal dudes are idiots. This isn’t the fault of the filmmakers, of course, it’s just a fact. That’s all I got for now. From other reviews (that erred on the side of vague rather than spoiler-y), I gathered that to be what the film was like, and I’m glad I haven’t made the effort to see it.

hgmonster:

Saw this last night. Wish I could recommend it, but I can’t, really. Films don’t have to have a message or a mission statement, but they should have a voice or a thrust, if you will – like they were made with intent. That’s not quite the case with UtLTU. It’s as if the filmmakers went to Norway, shot a bunch of footage, and cut it into something they felt resembled a movie. And because there was no voice, no guiding principle, no obvious intent, it felt as though, well, as though I were watching 2 hours of footage about black metal, and nothing more. I didn’t come away enlightened or even entertained.

Some of my issues with the content of the film, in bulleted list fashion.

  • Varg is a Nazi. Or a National Socialist. Or whatever the fuck he is this week. Although he’s on the screen for a good quarter of the film, this somehow never comes up. This conspicuous absence feels like apologism on the part of the filmmakers. Maybe it’s not, but they should have at least addressed this in some fashion. In my opinion.
  • The only account of Euronymous’ mureder comes from Varg, so there’s no refutation of his version of the story. If you didn’t know anything else about the case, you might think Varg actually acted in self-defense. (He very probably didn’t.)
  • Why the hell did they feature a third-rate graffiti artist in this film? Was it only to justify the inclusion of Frost’s tragicomic performance late in the film? Every time they cut to this guy (especially the pointless scene of him in the cab), it broke whatever grymmness they had worked so hard to establish.
  • The music – the reason most of us were in the theater – barely warranted a mention. There was almost no discussion of the development of the music, and barely any black metal in the film (although the múm and Sunn(((o))) tracks were nice). Clearly this was a conscious choice on the part of the filmmakers, but why? Unless you are already a trve believer, you’d leave with no sense of how this music came about, or what impact it’s had.
  • A lot of black metal dudes are idiots. This isn’t the fault of the filmmakers, of course, it’s just a fact.

That’s all I got for now.

From other reviews (that erred on the side of vague rather than spoiler-y), I gathered that to be what the film was like, and I’m glad I haven’t made the effort to see it.

High Resolution Version from HISTORY'S GREATEST MONSTER
fleetfootedfox 1 day ago Tags 6 Notes
Comments (View)

Photo: (via dearagony)

(via dearagony)

(via dearagony)

High Resolution Version from dear agony...
fleetfootedfox 1 day ago Tags 16 Notes
Comments (View)

Photo: misfittoys: tanya77: staff: Some of us Tumblr folks, along with our friends from Kickstarter and SoundCloud, are throwing a party in Austin this weekend for SXSW. RSVP and come hang out! And a special thanks to Tumblr’s hosting partner The Planet for sponsoring. Does your reblog mean you’re coming Justine?! Please say yes. Please? Austin Tumblar meetup?

misfittoys: tanya77: staff: Some of us Tumblr folks, along with our friends from Kickstarter and SoundCloud, are throwing a party in Austin this weekend for SXSW. RSVP and come hang out! And a special thanks to Tumblr’s hosting partner The Planet for sponsoring. Does your reblog mean you’re coming Justine?! Please say yes. Please? Austin Tumblar meetup?

misfittoys:

tanya77:

staff:

Some of us Tumblr folks, along with our friends from Kickstarter and SoundCloud, are throwing a party in Austin this weekend for SXSW.

RSVP and come hang out!

And a special thanks to Tumblr’s hosting partner The Planet for sponsoring.

Does your reblog mean you’re coming Justine?!

Please say yes.

Please?

Austin Tumblar meetup?

from Misfit Toys
fleetfootedfox 1 day ago Tags 421 Notes
Comments (View)

Photo: hikingmetalpunk: weetzie-bat: However, I’m seeing these dudes on Saturday. Metal rockers Orphaned Land have daringly labelled their style as “Jewish Muslim Metal” or “Middle Eastern Progressive Metal”. They incorporate the use of multilingual vocals, countless oriental as well as other instruments such as; saz, santur, arabian flutes, middle eastern percussions, cumbus, bouzouki and violins. fuckit, let’s just call it Belly Dance Metal :D seeing them at least once during SXSW

hikingmetalpunk: weetzie-bat: However, I’m seeing these dudes on Saturday. Metal rockers Orphaned Land have daringly labelled their style as “Jewish Muslim Metal” or “Middle Eastern Progressive Metal”. They incorporate the use of multilingual vocals, countless oriental as well as other instruments such as; saz, santur, arabian flutes, middle eastern percussions, cumbus, bouzouki and violins. fuckit, let’s just call it Belly Dance Metal :D seeing them at least once during SXSW

hikingmetalpunk:

weetzie-bat:

However, I’m seeing these dudes on Saturday.

Metal rockers Orphaned Land have daringly labelled their style as “Jewish Muslim Metal” or “Middle Eastern Progressive Metal”. They incorporate the use of multilingual vocals, countless oriental as well as other instruments such as; saz, santur, arabian flutes, middle eastern percussions, cumbus, bouzouki and violins.

fuckit, let’s just call it Belly Dance Metal :D

seeing them at least once during SXSW

from It's Always Shitty in Baltimore
fleetfootedfox 1 day ago Tags 5 Notes
Comments (View)

Audio:

[Flash 9 is required to listen to audio.] Download | 129 Plays

sixbucks:

The Crazy World Of Arthur Brown: Fire

from dignified and old
fleetfootedfox 1 day ago Tags 12 Notes
Comments (View)

Text:

hotelechozulu:

Google Maps “Bike There” now live

(via libraries)

from hotelechozulu
fleetfootedfox 10 Mar Tags 6 Notes
Comments (View)